While this book does not have Muslim representation, Somaiya Daud is a Muslim author, and I’m all about supporting Muslim authors.
Blurb from the publisher:
In a world dominated by the brutal Vathek empire, eighteen-year-old Amani is a dreamer. She dreams of what life was like before the occupation; she dreams of writing poetry like the old-world poems she adores; she dreams of receiving a sign from Dihya that one day, she, too, will have adventure, and travel beyond her isolated home.
But when adventure comes for Amani, it is not what she expects: she is kidnapped by the regime and taken in secret to the royal palace, where she discovers that she is nearly identical to the cruel half-Vathek Princess Maram. The princess is so hated by her conquered people that she requires a body double, someone to appear in public as Maram, ready to die in her place.
As Amani is forced into her new role, she can’t help but enjoy the palace’s beauty―and her time with the princess’ fiancé, Idris. But the glitter of the royal court belies a world of violence and fear. If Amani ever wishes to see her family again, she must play the princess to perfection…because one wrong move could lead to her death.
A Moroccan-inspired sci-fi/fantasy YA that tackles colonialism, rebellion, and identity by a Muslim author? Yes, please. View Post
I reread Saints and Misfits this month for my real-life book club, and I thought it would be helpful to share the discussion questions we used.
Instead of going through the questions one by one, we used it to spark conversations by taking turns choosing the questions we found interesting. There are generic questions and more specific questions so that everyone had a chance to speak to whatever interested them about the novel.
Here’s the printable PDF:
Saints and Misfits Discussion Qs
Let me know if you use it or if it’s helpful for you! I’d love to have feedback!
When Sarah begins her senior year of high school, Jason is just the cute new soccer captain. But as they spend more and more time together, Sarah feels increasingly conflicted about the nature of their relationship. She still insists, however, that he is just “an acquaintance.”
I read through this compelling story in a single day. I couldn’t put it down until I found out what would happen to the characters, and when I finally did, I kept thinking about the complex themes Saba Syed explores through the life of a teenage girl. View Post
A Girl Like That, by Tanaz Bhathena, is not an easy story to read. The main character, Zarin Wadia, is a “girl like that,” an outcast with a reputation, to nearly everyone in the story except for her friend Porus. And Zarin and Porus are dead on the first page.
Yep, it’s that kind of book.
Zarin lives with her aunt and uncle because her mother and father (former dancer and gangster) are dead. Her home life is extremely difficult thanks to her aunt and in spite of her uncle. At school, she is ostracized by the girls and objectified by the boys, who are a disturbing example of the meaning of rape culture. Her friend Porus is everyone’s favorite character—kind, understanding, and fiercely loyal. The book opens at the end—she and Porus are dead, victims of a car crash and floating above their bodies. View Post
Why did I read a YA romance novel? Oh yeah, because I thought it was something else.
Love, Hate & Other Filters follows seventeen-year-old Maya. She comes from an Indian Muslim background and is at odds with her parents. They want her to go to school close to home, become a lawyer, and make a suitable match. She wants to go to NYU, study film, and chase after her high school non-Indian crush.
I am glad this book exists because it represents one of the many kinds of Muslims in the US. Maya’s family are a cultural kind of Muslim where they are VERY Indian and also Muslim. Unfortunately, the representation here has serious issues with it. One thing is that her parents’ portrayal could not have been any more stereotypical. There was zero nuance to it. (The one part of the parents’ portrayal that rang true to me was the ending.) Also, Maya doesn’t seem to be struggling with her Indian-ness or her Muslim-ness; she’s struggling with her parent’s Indian-ness and Muslim-ness. And while Maya expresses a respect for her parent’s culture, she doesn’t once grapple with her intentions as a Muslim. The fact that she’s Muslim never plays into a single one of motivations. In that sense, I found the way this novel was promoted frustrating. Maya’s crisis with her parents is one part of the story. View Post